Sunday, December 30, 2007
Tuesday, December 18, 2007
Musician's Friend Coupon Code
Musician's Friend Coupon Code
Get $45 off any purchase of $300 or more at Musician's Friend. Use Coupon Code: MF45. Ends December 31, 2007.
Monday, December 17, 2007
Musician's Friend Holiday Shipping
Free Shipping on orders over $49. No weight restrictions. Now at Musician's Friend!
Musician's Friend Holiday Shipping
Musician's Friend
Standard shipping: 12/18 2 PM EST
2-day shipping: 12/20 2 PM EST
Next Day Shipping: 12/21 2 PM EST
Gift Cards: Yes
Musician's Friend Holiday Shipping
Musician's Friend
Standard shipping: 12/18 2 PM EST
2-day shipping: 12/20 2 PM EST
Next Day Shipping: 12/21 2 PM EST
Gift Cards: Yes
Sunday, November 18, 2007
Friday, November 09, 2007
Yamaha YTS-82ZU Professional Tenor Saxophone Specifications:
Yamaha YTS-82ZU Professional Tenor Saxophone
Combines the quick action of the 62 and the warm tone color of the original custom.
The YTS-82ZU Tenor Saxophone features a 2-piece hydro-formed bell. The body, bell, and bow are annealed during production to make this horn more responsive and freer blowing. The new mechanisms on the 82Z allow for faster action and easier repair. Comes with blue steel springs for faster, more sensitive key response and higher resiliency. Eye-catching engraving will give you the look of a custom horn.
Key of Bb. Front F and high F# key, annealed French brass body, custom G1 handmade French brass neck, 2-piece annealed French brass bell, yellow brass keys, mother-of-pearl key buttons. Unlacquered finish. Includes 4C mouthpiece, neckstrap, gold-lacquered ligature, gold-lacquered mouthpiece cap, cork grease, and a lightweight case with a shoulder strap.
Yamaha YTS-82ZU Professional Tenor Saxophone Specifications:
* Level: Custom Z Tenor
* Key: Bb
* Neck: Custom G1 (handmade)
* Neck Material: French Brass
* Body Material: French Brass (annealed)
* Bell: French Brass (annealed), 2 pc.
* Key Material: Yellow Brass
* Key Buttons: Mother-of-pearl
* Tone Holes: Drawn
* Auxiliary Keys: Front F; High F# key
* Mouthpiece: Yamaha 4CM
* Spring Type: Blue steel needle
* Pad Type: Waterproof leather and wool felt with plastic tone boosters
* Bell Decoration: Hand engraved
* Thumb Hook: Adjustable plastic
* Pivot Screw: Bullet tip design with head
* Mounting: Ribbed and flanged
Combines the quick action of the 62 and the warm tone color of the original custom.
The YTS-82ZU Tenor Saxophone features a 2-piece hydro-formed bell. The body, bell, and bow are annealed during production to make this horn more responsive and freer blowing. The new mechanisms on the 82Z allow for faster action and easier repair. Comes with blue steel springs for faster, more sensitive key response and higher resiliency. Eye-catching engraving will give you the look of a custom horn.
Key of Bb. Front F and high F# key, annealed French brass body, custom G1 handmade French brass neck, 2-piece annealed French brass bell, yellow brass keys, mother-of-pearl key buttons. Unlacquered finish. Includes 4C mouthpiece, neckstrap, gold-lacquered ligature, gold-lacquered mouthpiece cap, cork grease, and a lightweight case with a shoulder strap.
Yamaha YTS-82ZU Professional Tenor Saxophone Specifications:
* Level: Custom Z Tenor
* Key: Bb
* Neck: Custom G1 (handmade)
* Neck Material: French Brass
* Body Material: French Brass (annealed)
* Bell: French Brass (annealed), 2 pc.
* Key Material: Yellow Brass
* Key Buttons: Mother-of-pearl
* Tone Holes: Drawn
* Auxiliary Keys: Front F; High F# key
* Mouthpiece: Yamaha 4CM
* Spring Type: Blue steel needle
* Pad Type: Waterproof leather and wool felt with plastic tone boosters
* Bell Decoration: Hand engraved
* Thumb Hook: Adjustable plastic
* Pivot Screw: Bullet tip design with head
* Mounting: Ribbed and flanged
Monday, October 08, 2007
How To Select Your Saxophone
Setting out to purchase a saxophone can be a daunting process. This guide will help you sort out the possibilities and find an instrument that meets your needs.
How To Select Your Saxophone First, a little overview and history
Since its invention by Adolphe Sax in 1841, the saxophone has gone on to become perhaps the most featured wind instrument in pop and jazz. Modern saxophones come in a range of voicings. The most popular from high to low are the soprano, alto, tenor, and baritone. The soprano and tenor are tuned in Bb while the alto and baritone are pitched to Eb. Though advanced students may learn to play all four instruments, typically saxophonists settle on one instrument with which they will develop their own distinct solo voice.
Musical from the get-go
Unlike neophyte flautists and clarinetists, the beginning saxophonist usually can produce a credible, musical tone during the earliest learning stages. Within the standard ranges of the various saxophones, notes can be produced relatively easily, even before the student has developed his or her embouchure (the optimal lip position required to produce the best tone) and breathing technique.
Buying the first instrument
The alto saxophone is far and away the most common starter instrument. Its smaller key layout and need for a little less air make it a solid choice for the younger student. Other factors making the alto a popular first saxophone are its generally lower cost as well as the wealth of classical repertoire written for the instrument. Most of the skills that will be learned on the alto are readily transferable to other saxophones. In elementary and high schools, altos typically represent the largest share of the saxophone section.
Regardless of which type of saxophone you and your student settle on, you will need to choose among three instrument quality levels: student, intermediate, and professional.
The student saxophone
Manufacturers have put a lot of attention into producing starter instruments that are affordable while offering the musicality that will keep a neophyte committed to developing his or her skills. Most student horns feel comfortable to beginners and are capable of producing pleasing tone quite easily. If your child's commitment to the saxophone is uncertain, a student model makes sense. In three years or so you will be ready to trade up to an intermediate instrument, and provided the student horn is still in decent shape, its sale or trade will help to underwrite the cost of the new sax.
Intermediate saxophones
As the name implies, intermediate models straddle the area between student and professional instruments. Though the key work and action may feel similar to a professional instrument, the intermediate horns usually do not produce the full tone of pro models. They typically evidence less hand work than professional instruments and usually lack the deluxe cosmetic detailing of their higher-end brethren.
Going pro
Professional saxophones offer a significant step-up in tone, response, and intonation. There is usually a lot of hand work such as hand-hammered keys and elaborate hand-engraving on the bell. The metal alloys, solders, and other materials used are of the highest quality resulting in advanced playability and full expressiveness.
Body construction
Saxophones have either ribbed or non-ribbed construction with most modern instruments being ribbed. This refers to how the posts (the knobs that protrude from the body to hold the keys) attach to the body. Individual posts are attached to plates or sheets of brass with high-temperature solder or brazing material. These rib assemblies are then attached to the saxophone body with lower-temperature solder. Ribs strengthen the bond between the posts and the body helping to keep the instrument in adjustment longer.
Student saxes and vintage U.S.-made horns are traditionally non-ribbed. This isn't necessarily a negative as the instrument is a little lighter and may be easier for the student to blow.
Materials and finishes
Most saxes are made with yellow brass bodies. Some instruments are available with bodies, bells, and/or necks made of bronze, copper, or sterling silver. These alternate materials darken the tone, add cost, require careful handling, and are geared towards the professional player seeking a distinctive tone and look.
The standard finish for most saxophones is a clear lacquer. Today, the saxophonist can choose from an array of alternate finishes including colored or pigmented lacquers, silver plate, "antiqued" or "vintage" finishes, nickel-plate, or black nickel-plate.
Additional keys
Most modern saxophones have a high F# key, though it is possible to play the note without the key. A growing number of soprano saxophones offer a high G key, though again, the note is playable without the key. Selmer Paris Series III altos include a C# resonance key for improved clarity of middle C#. Low A keys are now seen on most baritone saxophones.
How To Select Your Saxophone First, a little overview and history
Since its invention by Adolphe Sax in 1841, the saxophone has gone on to become perhaps the most featured wind instrument in pop and jazz. Modern saxophones come in a range of voicings. The most popular from high to low are the soprano, alto, tenor, and baritone. The soprano and tenor are tuned in Bb while the alto and baritone are pitched to Eb. Though advanced students may learn to play all four instruments, typically saxophonists settle on one instrument with which they will develop their own distinct solo voice.
Musical from the get-go
Unlike neophyte flautists and clarinetists, the beginning saxophonist usually can produce a credible, musical tone during the earliest learning stages. Within the standard ranges of the various saxophones, notes can be produced relatively easily, even before the student has developed his or her embouchure (the optimal lip position required to produce the best tone) and breathing technique.
Buying the first instrument
The alto saxophone is far and away the most common starter instrument. Its smaller key layout and need for a little less air make it a solid choice for the younger student. Other factors making the alto a popular first saxophone are its generally lower cost as well as the wealth of classical repertoire written for the instrument. Most of the skills that will be learned on the alto are readily transferable to other saxophones. In elementary and high schools, altos typically represent the largest share of the saxophone section.
Regardless of which type of saxophone you and your student settle on, you will need to choose among three instrument quality levels: student, intermediate, and professional.
The student saxophone
Manufacturers have put a lot of attention into producing starter instruments that are affordable while offering the musicality that will keep a neophyte committed to developing his or her skills. Most student horns feel comfortable to beginners and are capable of producing pleasing tone quite easily. If your child's commitment to the saxophone is uncertain, a student model makes sense. In three years or so you will be ready to trade up to an intermediate instrument, and provided the student horn is still in decent shape, its sale or trade will help to underwrite the cost of the new sax.
Intermediate saxophones
As the name implies, intermediate models straddle the area between student and professional instruments. Though the key work and action may feel similar to a professional instrument, the intermediate horns usually do not produce the full tone of pro models. They typically evidence less hand work than professional instruments and usually lack the deluxe cosmetic detailing of their higher-end brethren.
Going pro
Professional saxophones offer a significant step-up in tone, response, and intonation. There is usually a lot of hand work such as hand-hammered keys and elaborate hand-engraving on the bell. The metal alloys, solders, and other materials used are of the highest quality resulting in advanced playability and full expressiveness.
Body construction
Saxophones have either ribbed or non-ribbed construction with most modern instruments being ribbed. This refers to how the posts (the knobs that protrude from the body to hold the keys) attach to the body. Individual posts are attached to plates or sheets of brass with high-temperature solder or brazing material. These rib assemblies are then attached to the saxophone body with lower-temperature solder. Ribs strengthen the bond between the posts and the body helping to keep the instrument in adjustment longer.
Student saxes and vintage U.S.-made horns are traditionally non-ribbed. This isn't necessarily a negative as the instrument is a little lighter and may be easier for the student to blow.
Materials and finishes
Most saxes are made with yellow brass bodies. Some instruments are available with bodies, bells, and/or necks made of bronze, copper, or sterling silver. These alternate materials darken the tone, add cost, require careful handling, and are geared towards the professional player seeking a distinctive tone and look.
The standard finish for most saxophones is a clear lacquer. Today, the saxophonist can choose from an array of alternate finishes including colored or pigmented lacquers, silver plate, "antiqued" or "vintage" finishes, nickel-plate, or black nickel-plate.
Additional keys
Most modern saxophones have a high F# key, though it is possible to play the note without the key. A growing number of soprano saxophones offer a high G key, though again, the note is playable without the key. Selmer Paris Series III altos include a C# resonance key for improved clarity of middle C#. Low A keys are now seen on most baritone saxophones.
Yamaha YCL-622 Professional Bass Clarinet
Yamaha YCL-622 Professional Bass Clarinet
Key of Bb. 2-piece grenadilla wood body; silverplated bell, neckpipe, and keys; floor peg; range to low C. Includes case. All Yamaha wind instruments come with a limited 5-year warranty.
Yamaha YCL-622 Professional Bass Clarinet Features:
* Key of Bb
* 2-piece grenadilla wood body
* Silverplated bell, neckpipe, and keys
* Floor peg
* Range to low C
Giardinelli GFL312 Flute
Giardinelli GFL312 Student Flute by Gemeinhardt
A fantastic value crafted exclusively for Giardinelli by Gemeinhardt.
The Giardinelli GFL312 Student Flute by Gemeinhardt represents a partnership with one of the greatest names in flutes.
Kurt Gemeinhardt's great grandfather was a flute maker, as were his grandfather and his father. A master designer and flute maker himself, Gemeinhardt spent years custom-building some of the world's most sought-after flutes and finally emigrated from Switzerland to Elkhart, Indiana, where he designed flutes for twenty years before opening his own factory. In the ensuing half-century, Gemeinhardt has become the world's largest and best-respected exclusive maker of flutes and piccolos. Over the past several decades, we at Giardinelli have come to rely on Gemeinhardt flutes for their extreme reliability, consistency, great tone, and playability. Drawing on our extensive knowledge of musicians' needs and desires, Giardinelli has commissioned a select few high-value flutes from Gemeinhardt - the Giardinelli by Gemeinhardt Series.
Giardinelli specially commissioned the GFL312 student flute from Gemeinhardt to provide the utmost in craftsmanship and features for the lowest possible price. We're very impressed with the results. Plateau-keys are easier for students because they don't need to cover any holes on the keys. The deluxe sculptured pad cups are designed exclusively for Giardinelli. Offset G key is less stressful and easier for new players. Beautiful silver plating on the nickel-silver body and keys is not only more attractive, but is less slippery than nickel for an easier grip. The underlying nickel-silver structure is very durable and rugged, designed to take the inevitable handling accidents that happen with young players. The keys stay in alignment and adjustment longer than all-silver keys. C footjoint. The GFL312 Student Flute by Gemeinhardt comes with standard case.
Giardinelli GFL312 Student Flute by Gemeinhardt Features:
* Key of C
* Closed hole
* C footjoint
* Silverplated nickel silver body, footjoint, and headjoint
* Offset G
* Deluxe sculptured pad cups
* Crafted exclusively for Giardinelli by Gemeinhardt
* Includes standard case
Giardinelli GFL312 Student Flute by Gemeinhardt Includes:
* case
Saturday, September 15, 2007
40,000 Items in Stock at Musician's Friend
40,000 Items in Stock at Musician's Friend
We've got more deals than we know what to do with at Musician's Friend. Right now you can find Scratch 'N' Dent items in every category, most discounted an EXTRA 10% off our already low prices. These items have only minor cosmetic flaws, all guaranteed to work as new.
We've got more deals than we know what to do with at Musician's Friend. Right now you can find Scratch 'N' Dent items in every category, most discounted an EXTRA 10% off our already low prices. These items have only minor cosmetic flaws, all guaranteed to work as new.
Wednesday, August 22, 2007
Free Shipping on Student Instruments
Student Saxophones - Ready to Ship!
Student Oboes and Bassoons - Why Rent When You Can Own?
Great Beginner Clarinets - Starting at $129.95!
Your One-Stop Shop for Woodwind Accessories
Need Reeds? - We Have What You Need for School!
Tuesday, August 14, 2007
Music 123
Want to save 10%* on your next music gear buying spree? It's simple. Apply for a new Music 123 The Card account and save 10% on orders up to $1,000. This offer is especially sweet because you can still save, even if you've already got our old Card. Just apply for the new card if your Music123 The Card account was established before August 1, 2007. So for card customers new or old, you get a quick and easy discount on some fresh gear for fall.
* Details:
* Offer subject to credit approval
* 10% credit is a one-time savings on a single purchase up to $1,000
* Current card holder (before 8/1/2007) will need to re-apply to receive offer
* 10% credit will be generated 60 days after qualifying purchase
No Interest For Up To 1 Year!**
Place any order using your Music 123 credit card and take 3 months to pay with no interest. Place your order for $299 or more using your Music 123 credit card and take 12 months to pay with no interest*.
Sunday, August 05, 2007
Yamaha YAS-62II Professional Alto Saxophone - Save 35% Off List
Gemeinhardt Model 2SP Student Flute
Includes free gift(s)!
1 - Gemeinhardt Interactive Flute Resource (CD-ROM) - $29.95 value!
A great bargain for the beginner!
Key of C. Plateau (closed hole) model; silver-plated head, body, and foot. ISO 9001 certified.
Gemeinhardt Model 2SP Student Flute Features:
* Key of C
* Plateau model (closed hole)
* Silver-plated head, body, and foot
* ISO 9001 certified
Gemeinhardt Model 2SP Student Flute Includes:
* Case
Yamaha YAS-62II Professional Alto Saxophone - Save 35% Off List
Yamaha YAS-62II Professional Eb Alto Saxophone
$2,195.01 -or- $66/mo. - Apply!
List Price: $3,370.00 Savings: $1174.99(34%)
Loaded with advanced features.
A new professional-style neck receiver on the Yamaha YAS-62II Professional Eb Alto Saxophone allows the player to project a more even tone. The octave key has been redesigned for a smoother and quicker response. Pads are silicon-treated leather. Blue steel springs provide faster, more sensitive key response. Acoustic annealing of the body gives the metal optimum density for superior tone. Adjustable thumb rest allows for precise and comfortable hand and fingering positions. A tilting-style low Bb key provides comfort and response. Key shape has been refined with an emphasis on comfort and speed and allows the player to hold the saxophone in a more natural manner. A unique front F mechanism design allows independent adjustment of the high F tonehole pad opening to match the player's preference and playing style. A high F# key allows for easier playability in the extended-range high harmonics. Other niceties include a hand-engraved bell, gold lacquer finish, and ribbed and flanged post mounting for stronger key mechanisms.
All Yamaha wind instruments come with a limited 5-year warranty.
Yamaha YAS-62II Professional Eb Alto Saxophone Features:
* Newly designed neck receiver
* Custom-style octave key
* Silicon-treated leather pads
* Blue-steel needle springs
* Adjustable thumb rest
* Acoustic annealed body
* Tilting-style low Bb key
* Refined key shape
* Unique front F mechanism design
* High F# key
* Hand-engraved bell
* Gold lacquer finish
* Ribbed and flanged mounting posts
Just $1,023.00 - Buffet E11 Bb Clarinet With Free Optimum Mouthpiece Kit
Buffet E11 Bb Intermediate Clarinet
$1,023.00 -or- $31/mo. - Apply!
List Price: $1,705.26 Savings: $682.26(40%)
An excellent step-up instrument for the continuing student.
The Buffet E11 Bb Intermediate Clarinet is warm and responsive in all registers. Key of Bb. .577" bore, 64.5mm barrel. This is an excellent clarinet made of grenadilla wood, with silver-plated keys, undercut toneholes, polycylindrical bore, and adjustable thumb rest. Includes vinyl-covered deluxe wood shell case.
Buffet E11 Bb Intermediate Clarinet Features:
* Key of Bb
* .577" bore
* 64.5mm barrel
* Grenadilla wood
* Silver-plated keys
* Undercut toneholes
* Polycylindrical bore
* Adjustable thumb rest
* Vinyl-covered deluxe wood shell case
Includes free gift(s)!
1 - Vandoren AT45 Bb Clarinet Optimum Mouthpiece Pack - $207.14 value!
Tuesday, July 31, 2007
Valued Customer, the Save 10% Accessory Summer Sale Continues
Special Savings On Instrument Stands
Vandoren Bb Clarinet Mouthpiece Special - Save Another $10.00
Care For The Player - Musician's Health
You Need A Hip New Case for 2007!
Wednesday, July 25, 2007
Musician's Friend Clearance Center
Musician's Friend Clearance Center
* L.A. Sax LA-750 Artist Eb Alto Sax - Only $649.99
* Brass Clearance Savings Continue
* Don't Be Left In The Dark - Mighty Bright Portable Music Light - Now Only $19.99
Rico Reserve German Clarinet Reeds - Pre-Order Today!
* L.A. Sax LA-750 Artist Eb Alto Sax - Only $649.99
* Brass Clearance Savings Continue
* Don't Be Left In The Dark - Mighty Bright Portable Music Light - Now Only $19.99
Rico Reserve German Clarinet Reeds - Pre-Order Today!
Sunday, July 22, 2007
Celebrating 30 Years w/ Great Financing
Popular Buffet E11 Bb Clarinet w/ FREE Vandoren Mouthpiece
Best Seller Pearl 505RE Student Flute - Now Only $529.00!
Fox 333 Protégé Oboe - $2395.00 - NOW IN STOCK!!
Select Vandoren Clarinet Mouthpieces - Save Another $10.00!
Thursday, July 05, 2007
Hands-On Review: Korg Tuners
Hands-On Review: Korg Tuners
Precise tuning for band and symphonic instruments (and more)
By Fred Ogdenmoor
Korg Tuners
I recently went to view a collection of rare and exotic musical instruments at the local university. It featured stringed, wind, and percussion instruments dating back several centuries with such rare pieces as a 17th century Spanish harp. I asked the conservator (the person who restores and maintains museum objects) if all the instruments were in playing condition. He assured me that not only was it desirable, but essential they be kept in playing condition so they can be researched and enjoyed, which was why they were built in the first place: to be played. Seizing the opportunity, I explained that I was writing some hands-on reviews of tuners and inquired if it would be possible to try out a couple of tuners on some of his treasures.
OT-120 Orchestral Tuner
A week later I met the conservator at the exhibit hall and pulled out the first tuner, the OT-120 Orchestral Tuner from Korg. Designed for the serious-minded musician, it’s powerful, precise, portable, and can be used in a practice room or studio—or with a collection of rare, historical instruments. With a detection range of eight octaves, the OT-120 can tune the complete array of orchestra and band instruments (and more, coming up later). The range is from A0, which is the lowest note on a piano, to C8, the highest note. This is within the full range of all orchestral instruments, from the lowest notes of the contrabassoon to the highest notes of the sopranino recorder. In addition to tuning to the standard of A=440Hz, calibration can be adjusted anywhere between 349Hz to 499Hz. This could come in handy for example, when tuning various instruments to accompany an historical keyboard such as an 18th century harpsichord. Although the instrument may be in tune with itself, because of its age, it may not be advisable to tune it to the standard of A=440, so accompanying instruments must be tuned to it.
Korg OT-120 Orchestral Tuner
Tuning for the ages
We first chose to tune a 17th century Baroque lute. It has 13 courses, usually pairs of strings, although the bottom two courses were individual strings for a total of 24 strings. Setting the OT-120 upright on a nearby table using the tilt-back stand, the conservator—I called him Professor—set the tuner into Manual mode with the needle movement on the VU meter set to Fast to handle the fast attack of the lute strings. He played each of the courses into the OT-120’s built-in mic to find out how the lute was pitched—in other words, how far off from our modern standard of A=440. He determined the overall tuning was flat by 48 cents. Because of the age of the instrument, the Professor decided to keep the tension relatively relaxed by lowering the tuner’s calibration to 392Hz instead of 440. In the Baroque period, lute players used a different type of tuning system, or temperament, that was developed so the lute could be played in tune in various keys. The OT-120 offers eight temperaments used to tune period and ethnic instruments. The Professor selected the Werckmeister (III) temperament (One of several tempered tuning systems devised by Andreas Werckmeister in the late 17th century. It uses perfect fifths, making it suitable for chromatic music such as by J.S. Bach). Starting with the bottom courses tuned in octaves to A, The Professor and I took turns bringing the lute to playability with only a few minor groans from the friction tuning pegs. To celebrate we cranked out a lively Celtic-styled jig. We then moved on to a crumhorn, a double reed horn from 17th century Germany to try out the Sound Back feature. We plugged the optional CM-100L microphone into the 1/4" input on the OT-120. For each note you play, the tuner then plays and holds a reference tone for that note so you can hear how far off pitch you may be. The meter also indicates the pitch being produced. By listening and watching, instrumentalists and vocalists can use the Sound Back feature to check and train their sense of pitch. Sound Back can be used as a learning tool. When playing the double reed crumhorn, Sound Back let us hear—and showed us—that some of the higher notes were being played a little off pitch. This was not because the instrument was out of tune, but was due to the player’s technique. Using Sound Back, the player can alter his embouchure until the note is played on pitch.
Korg AW-1 Micro Tuner on Mandolin
Hurdy-Gurdy man
A more fun instrument to tune was the hurdy-gurdy, which looks like a Borg version of a violin. The sound of the hurdy-gurdy has been compared to bagpipes because it has four drone strings. The instrument lies across your legs and has a crank on the end that turns a wheel, which bows the strings. Melodies are created by pressing keys that run along the neck, changing the pitch of the melody strings, or chanters. The Professor decided to use modern equal temperament to tune the hurdy-gurdy. This time, we used a Korg AW-1 Micro Tuner. Like the OT-120, the AW-1 has a detection range of A0 to C8, but is packed into an even more compact and lightweight unit. We used the larger of the two supplied clips to attach the AW-1 to the bridge and tuned the four melody and two drone strings to Cs and Gs. The internal piezo pickup detected vibrations directly from the hurdy-gurdy so accurate tuning was possible even in a noisy room. For some instruments like the flute, clipping the tuner would put the display too close to read, so the AW-1 also comes with an internal mic. The oval-shaped LCD meter automatically displays the nearest correct note. The Meter Reverse button flips the display so it can be read if the tuner is clipped upside down to an instrument.
LCA-120 Chromatic Tuner and LMA-120 Digital Metronome
For the musician who wants more versatility than the AW-1 but doesn’t need all of the capabilities of the OT-120, there is the LCA-120. This chromatic tuner has a large easy-to-see backlit LCD screen in a flip-top design. Like the OT-120, the LCA-120 has a 1/4" input, built-in condenser mic, produces a four-octave reference tone, an A0-C8 tuning range, and has the Sound Back mode for ear training with the use of the optional CM-100L mic.
LCA-120 Chromatic Tuner and LMA-120 Digital Metronome
What’s different? The LCA-120 has an adjustable calibration range of 410Hz-480Hz. It adds a Focus Tune function that zooms the LCD meter when your instrument’s pitch is within the ±10 cents range for more precise tuning. For temperaments, the LCA-120 has a programmable Temperament Program function to let you specify the tuning pitch for each note. A volume meter on the LCD measures the volume of the signal for practicing dynamics or long tones and a 1/8" headphone jack lets you hear reference tones without disturbing others.
The LMA-120 Digital Metronome sports the same flip-top design. Besides listening to the tempo, it uses a large LCD to show the tempo using "Conducting Motion" display. Three bars move in a way similar to a conductor’s baton so the motion lets you feel the tempo in a natural, musical way. Various beats, rhythms, and tempo step patterns can be combined to form a wide variety of song styles. The tempo can be adjusted from 30 to 252 BPM or you can repeatedly press the TAP switch in time with the desired tempo. The LMA-120 also has a Sound Out mode that generates a reference tone in a one-octave range of C4-C5. Like the LCA-120, the calibration can be adjusted from 410Hz to 480Hz and has a 1/8" headphone jack. When you power down, your specified tempo, beat, calibration, and reference pitch settings are saved.
Admittedly these are somewhat extreme examples of the power and flexibility of Korg tuners. Of course, not only can you use all of these Korg tuners to tune just about any band or orchestra instrument, you can use them to tune your more modern guitars and basses.
Features & Specs
OT-120 Orchestral Tuner
* Full 8 octave (A0-C8) detection range
* Tuning accuracy within ±1 cent
* Calibration range from 349Hz to 499Hz (based on standard A=440)
* 8 temperaments for classical and ethnic instruments:
o Pythagorean
o Mean Tone Eb
o Mean Tone D#
o Werckmeister (III)
o Kimberger III
o Kellner
o Vallotti
o Young
* Auto tuning mode
* VU-style meter with slow, medium, and fast needle movement
* Built-in speaker
* Playback reference tones from over 5 octaves
* Sound Out and Sound Back modes
* Vertical design
* Sleek and durable aluminum panel
* Tilt-back stand
* Soft case with belt clip
* 100 hour battery life
Korg AW-1 Micro Tuner
* Detection range: A0 (27.50Hz)~C8 (4186Hz)
* Ultracompact, lightweight unit
* 2 clips with internal piezo pickups
* Tuner with internal mic
* Meter Reverse function position
* Pure major third/minor third indicators
* Wide calibration range: 410~480Hz (1Hz steps)
* Memory backup
* Auto power off
* Scale: 12-note equal temperament
* Range (sine wave): A0 (27.50Hz)-C8 (4186Hz)
* Precision: ±1 cent
* Reference pitch: 410-480Hz (1Hz steps)
* Dimensions: 0.98"W x 0.35"H x 2.17"D
* Weight: 11g/ 0.024 lbs. (Including battery)
Included items:
* CR1220 lithium battery (3V) for checking operation
* Large instrument clip (with internal piezo pickup)
* Small instrument clip (with internal piezo pickup)
LCA-120 Chromatic Flip-Top Digital Tuner
* Scale: 12 note equal temperament, program (88 notes)
* Detection Range: A0 (27.50Hz) to C8 (4186.01Hz)
* Reference Tone: C2 (65.41Hz) to C6 (1046.50Hz)
* Tuning Modes: Meter (AUTO), Focus Tune (AUTO), Sound Out (MANUAL), Sound Back (AUTO)
* Calibration Range: A4=410Hz to 480Hz (1Hz step)
* Detection Accuracy: Better than ±1.0 cent
* Sound Accuracy: Better than ±1.5 cents
* Volume Meter Display
* Programmable Temperament Function
* Connections: INPUT (1/4"), Headphones (1/8" mini), DC IN (9V)
* Speaker: Dynamic speaker (16mm x 35mm)
* Power Supply: 2 AAA alkaline batteries (3V) or AC adapter
* Battery Life: Approximately 60 hours (when tuner is operating with alkaline batteries, Meter mode, A4 continuous input and back-light off)
* Dimensions: 3.98"W x 0.81"H x 3.31"D (folded)
* Weight: 5.22 oz. (including batteries)
Included Items:
* 2 AAA batteries for checking operation
LMA-120 Flip-Top Digital Metronome
* Display settings: Conducting display, Left/Right motion display
* Tempo Range: 30 to 252 beats per minute in quarter notes
* Tempo Settings: PENDULUM step, FULL step
* Beats: 0-9 beats
* Rhythms: quarter, eighth, triplets, triplets with inner beat omitted, quadruplets, quadruplets with inner beat omitted
* Tempo Accuracy: Better than ±0.1 %
* Reference Tone: C4 (261.63Hz) to C5 (523.25Hz) One octave
* Calibration Range: A4=410Hz to 480Hz (1Hz step)
* Sound Accuracy: Better than ±1.5 cents
* Connections: Headphones (1/8" mini), DC IN (9V)
* Speaker: Dynamic speaker (23mm)
* Power Supply: 2 AAA alkaline batteries (3V) or AC adapter
* Battery Life: Approximately 90 hours (when metronome is operating with alkaline batteries, tempo=120, beat=4, rhythm=quarter note, and back-light is off)
* Dimensions: 3.98"W x 0.81"H x 3.31"D (folded)
* Weight: 5.22 oz. (including batteries)
Included Items:
* 2 AAA batteries for checking operation
CM-100L Microphone
* Clip-on contact mic
* 1/4" phone jack
* Complements any tuner with a 1/4" audio input
Precise tuning for band and symphonic instruments (and more)
By Fred Ogdenmoor
Korg Tuners
I recently went to view a collection of rare and exotic musical instruments at the local university. It featured stringed, wind, and percussion instruments dating back several centuries with such rare pieces as a 17th century Spanish harp. I asked the conservator (the person who restores and maintains museum objects) if all the instruments were in playing condition. He assured me that not only was it desirable, but essential they be kept in playing condition so they can be researched and enjoyed, which was why they were built in the first place: to be played. Seizing the opportunity, I explained that I was writing some hands-on reviews of tuners and inquired if it would be possible to try out a couple of tuners on some of his treasures.
OT-120 Orchestral Tuner
A week later I met the conservator at the exhibit hall and pulled out the first tuner, the OT-120 Orchestral Tuner from Korg. Designed for the serious-minded musician, it’s powerful, precise, portable, and can be used in a practice room or studio—or with a collection of rare, historical instruments. With a detection range of eight octaves, the OT-120 can tune the complete array of orchestra and band instruments (and more, coming up later). The range is from A0, which is the lowest note on a piano, to C8, the highest note. This is within the full range of all orchestral instruments, from the lowest notes of the contrabassoon to the highest notes of the sopranino recorder. In addition to tuning to the standard of A=440Hz, calibration can be adjusted anywhere between 349Hz to 499Hz. This could come in handy for example, when tuning various instruments to accompany an historical keyboard such as an 18th century harpsichord. Although the instrument may be in tune with itself, because of its age, it may not be advisable to tune it to the standard of A=440, so accompanying instruments must be tuned to it.
Korg OT-120 Orchestral Tuner
Tuning for the ages
We first chose to tune a 17th century Baroque lute. It has 13 courses, usually pairs of strings, although the bottom two courses were individual strings for a total of 24 strings. Setting the OT-120 upright on a nearby table using the tilt-back stand, the conservator—I called him Professor—set the tuner into Manual mode with the needle movement on the VU meter set to Fast to handle the fast attack of the lute strings. He played each of the courses into the OT-120’s built-in mic to find out how the lute was pitched—in other words, how far off from our modern standard of A=440. He determined the overall tuning was flat by 48 cents. Because of the age of the instrument, the Professor decided to keep the tension relatively relaxed by lowering the tuner’s calibration to 392Hz instead of 440. In the Baroque period, lute players used a different type of tuning system, or temperament, that was developed so the lute could be played in tune in various keys. The OT-120 offers eight temperaments used to tune period and ethnic instruments. The Professor selected the Werckmeister (III) temperament (One of several tempered tuning systems devised by Andreas Werckmeister in the late 17th century. It uses perfect fifths, making it suitable for chromatic music such as by J.S. Bach). Starting with the bottom courses tuned in octaves to A, The Professor and I took turns bringing the lute to playability with only a few minor groans from the friction tuning pegs. To celebrate we cranked out a lively Celtic-styled jig. We then moved on to a crumhorn, a double reed horn from 17th century Germany to try out the Sound Back feature. We plugged the optional CM-100L microphone into the 1/4" input on the OT-120. For each note you play, the tuner then plays and holds a reference tone for that note so you can hear how far off pitch you may be. The meter also indicates the pitch being produced. By listening and watching, instrumentalists and vocalists can use the Sound Back feature to check and train their sense of pitch. Sound Back can be used as a learning tool. When playing the double reed crumhorn, Sound Back let us hear—and showed us—that some of the higher notes were being played a little off pitch. This was not because the instrument was out of tune, but was due to the player’s technique. Using Sound Back, the player can alter his embouchure until the note is played on pitch.
Korg AW-1 Micro Tuner on Mandolin
Hurdy-Gurdy man
A more fun instrument to tune was the hurdy-gurdy, which looks like a Borg version of a violin. The sound of the hurdy-gurdy has been compared to bagpipes because it has four drone strings. The instrument lies across your legs and has a crank on the end that turns a wheel, which bows the strings. Melodies are created by pressing keys that run along the neck, changing the pitch of the melody strings, or chanters. The Professor decided to use modern equal temperament to tune the hurdy-gurdy. This time, we used a Korg AW-1 Micro Tuner. Like the OT-120, the AW-1 has a detection range of A0 to C8, but is packed into an even more compact and lightweight unit. We used the larger of the two supplied clips to attach the AW-1 to the bridge and tuned the four melody and two drone strings to Cs and Gs. The internal piezo pickup detected vibrations directly from the hurdy-gurdy so accurate tuning was possible even in a noisy room. For some instruments like the flute, clipping the tuner would put the display too close to read, so the AW-1 also comes with an internal mic. The oval-shaped LCD meter automatically displays the nearest correct note. The Meter Reverse button flips the display so it can be read if the tuner is clipped upside down to an instrument.
LCA-120 Chromatic Tuner and LMA-120 Digital Metronome
For the musician who wants more versatility than the AW-1 but doesn’t need all of the capabilities of the OT-120, there is the LCA-120. This chromatic tuner has a large easy-to-see backlit LCD screen in a flip-top design. Like the OT-120, the LCA-120 has a 1/4" input, built-in condenser mic, produces a four-octave reference tone, an A0-C8 tuning range, and has the Sound Back mode for ear training with the use of the optional CM-100L mic.
LCA-120 Chromatic Tuner and LMA-120 Digital Metronome
What’s different? The LCA-120 has an adjustable calibration range of 410Hz-480Hz. It adds a Focus Tune function that zooms the LCD meter when your instrument’s pitch is within the ±10 cents range for more precise tuning. For temperaments, the LCA-120 has a programmable Temperament Program function to let you specify the tuning pitch for each note. A volume meter on the LCD measures the volume of the signal for practicing dynamics or long tones and a 1/8" headphone jack lets you hear reference tones without disturbing others.
The LMA-120 Digital Metronome sports the same flip-top design. Besides listening to the tempo, it uses a large LCD to show the tempo using "Conducting Motion" display. Three bars move in a way similar to a conductor’s baton so the motion lets you feel the tempo in a natural, musical way. Various beats, rhythms, and tempo step patterns can be combined to form a wide variety of song styles. The tempo can be adjusted from 30 to 252 BPM or you can repeatedly press the TAP switch in time with the desired tempo. The LMA-120 also has a Sound Out mode that generates a reference tone in a one-octave range of C4-C5. Like the LCA-120, the calibration can be adjusted from 410Hz to 480Hz and has a 1/8" headphone jack. When you power down, your specified tempo, beat, calibration, and reference pitch settings are saved.
Admittedly these are somewhat extreme examples of the power and flexibility of Korg tuners. Of course, not only can you use all of these Korg tuners to tune just about any band or orchestra instrument, you can use them to tune your more modern guitars and basses.
Features & Specs
OT-120 Orchestral Tuner
* Full 8 octave (A0-C8) detection range
* Tuning accuracy within ±1 cent
* Calibration range from 349Hz to 499Hz (based on standard A=440)
* 8 temperaments for classical and ethnic instruments:
o Pythagorean
o Mean Tone Eb
o Mean Tone D#
o Werckmeister (III)
o Kimberger III
o Kellner
o Vallotti
o Young
* Auto tuning mode
* VU-style meter with slow, medium, and fast needle movement
* Built-in speaker
* Playback reference tones from over 5 octaves
* Sound Out and Sound Back modes
* Vertical design
* Sleek and durable aluminum panel
* Tilt-back stand
* Soft case with belt clip
* 100 hour battery life
Korg AW-1 Micro Tuner
* Detection range: A0 (27.50Hz)~C8 (4186Hz)
* Ultracompact, lightweight unit
* 2 clips with internal piezo pickups
* Tuner with internal mic
* Meter Reverse function position
* Pure major third/minor third indicators
* Wide calibration range: 410~480Hz (1Hz steps)
* Memory backup
* Auto power off
* Scale: 12-note equal temperament
* Range (sine wave): A0 (27.50Hz)-C8 (4186Hz)
* Precision: ±1 cent
* Reference pitch: 410-480Hz (1Hz steps)
* Dimensions: 0.98"W x 0.35"H x 2.17"D
* Weight: 11g/ 0.024 lbs. (Including battery)
Included items:
* CR1220 lithium battery (3V) for checking operation
* Large instrument clip (with internal piezo pickup)
* Small instrument clip (with internal piezo pickup)
LCA-120 Chromatic Flip-Top Digital Tuner
* Scale: 12 note equal temperament, program (88 notes)
* Detection Range: A0 (27.50Hz) to C8 (4186.01Hz)
* Reference Tone: C2 (65.41Hz) to C6 (1046.50Hz)
* Tuning Modes: Meter (AUTO), Focus Tune (AUTO), Sound Out (MANUAL), Sound Back (AUTO)
* Calibration Range: A4=410Hz to 480Hz (1Hz step)
* Detection Accuracy: Better than ±1.0 cent
* Sound Accuracy: Better than ±1.5 cents
* Volume Meter Display
* Programmable Temperament Function
* Connections: INPUT (1/4"), Headphones (1/8" mini), DC IN (9V)
* Speaker: Dynamic speaker (16mm x 35mm)
* Power Supply: 2 AAA alkaline batteries (3V) or AC adapter
* Battery Life: Approximately 60 hours (when tuner is operating with alkaline batteries, Meter mode, A4 continuous input and back-light off)
* Dimensions: 3.98"W x 0.81"H x 3.31"D (folded)
* Weight: 5.22 oz. (including batteries)
Included Items:
* 2 AAA batteries for checking operation
LMA-120 Flip-Top Digital Metronome
* Display settings: Conducting display, Left/Right motion display
* Tempo Range: 30 to 252 beats per minute in quarter notes
* Tempo Settings: PENDULUM step, FULL step
* Beats: 0-9 beats
* Rhythms: quarter, eighth, triplets, triplets with inner beat omitted, quadruplets, quadruplets with inner beat omitted
* Tempo Accuracy: Better than ±0.1 %
* Reference Tone: C4 (261.63Hz) to C5 (523.25Hz) One octave
* Calibration Range: A4=410Hz to 480Hz (1Hz step)
* Sound Accuracy: Better than ±1.5 cents
* Connections: Headphones (1/8" mini), DC IN (9V)
* Speaker: Dynamic speaker (23mm)
* Power Supply: 2 AAA alkaline batteries (3V) or AC adapter
* Battery Life: Approximately 90 hours (when metronome is operating with alkaline batteries, tempo=120, beat=4, rhythm=quarter note, and back-light is off)
* Dimensions: 3.98"W x 0.81"H x 3.31"D (folded)
* Weight: 5.22 oz. (including batteries)
Included Items:
* 2 AAA batteries for checking operation
CM-100L Microphone
* Clip-on contact mic
* 1/4" phone jack
* Complements any tuner with a 1/4" audio input
Friday, June 29, 2007
WWBW Deals
The Vandoren Clarinet Mouthpieces You Need - Save Another $10!
The Woodwind Grab-Bag - Everything Under $20!
You Always Need Reeds! - Save on Select Brands!
Ready to Play? Top Instruments for Camps & Concerts
Wednesday, June 27, 2007
Musician's Friend Coupon
Offer Details:
* Valid on new orders placed online between June 19, and July 3, 2007.
* Coupon will be issued via email on Wednesday, July 17, 2007.
* Coupon is applicable to future orders; not current order.
* Coupon must be redeemed online by July 31, 2007.
Musician's Friend Coupon
Thursday, June 21, 2007
Woodwind Brasswind
Ready to Play? Top Instruments for Camps & Concerts
Camp Survival Kits - Everything you need but the instrument
You Always Need Reeds! - Save on Select Brands!
Keep It Clean - 10% Discounts on Care Products!
Wednesday, June 06, 2007
Step-Up and Save on Clarinets, French Horns, and More
Woodwind & Brasswind
Our Top Selling Step-Up Saxophones from $949
The Allora Custom Flute - Handmade in the USA - $1695
Amati 314 Wood Clarinet - Save $50 @ $549!
Save on Accessories for the Advancing Player
Our Top Selling Step-Up Saxophones from $949
The Allora Custom Flute - Handmade in the USA - $1695
Amati 314 Wood Clarinet - Save $50 @ $549!
Save on Accessories for the Advancing Player
Tuesday, June 05, 2007
Sunday, June 03, 2007
L.A. Sax
L.A. Sax LA-750 Artist Bb Alto Sax
Key of Eb. Advanced design has a C whisper key for improved clarity, low-profile custom pads, a high F#, and front F. Also has leather pads, metal...
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Rating: Overall: 9.21
L.A. Sax LA-650 Artist Bb Soprano Saxophone
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Rating: Overall: 5.50
L.A. Sax LA-850 Artist Bb Tenor Saxophone
Key of Bb. Advanced design has a C whisper key for improved clarity, low-profile custom pads, a high F#, and front F. Also has leather pads, metal...
Price: $999.99
List Price: $2,450.00 - $2,800.00
Leblanc by Backun
Leblanc by Backun Cadenza Bb Clarinet
The first step towards artistic excellence, the Cadenza is about giving you the tools you need to become a better performer. Sharing the same...
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Leblanc by Backun Symphonie Bb Clarinet
From barrel to bell, this clarinet is a tribute to tradition. Incorporating the past, present and future, the Symphonie features everything you want...
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Leblanc by Backun Symphonie A Clarinet
From barrel to bell, this clarinet is a tribute to tradition. Incorporating the past, present and future, the Symphonie features everything you want...
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Leblanc by Backun Legacy Bb Clarinet
The new Leblanc instruments are a fusion of artistry, technology and passion, designed by Morrie Backun. Director of product development for Leblanc...
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Leblanc by Backun Legacy A Clarinet
The new Leblanc instruments are a fusion of artistry, technology and passion, designed by Morrie Backun. Director of product development for Leblanc...
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Friday, June 01, 2007
Yamaha YAS-82ZB Professional Alto Saxophone Black
Musician's Friend Clearance Center
Yamaha YAS-82ZB Professional Alto Saxophone Black
The YAS-82ZB Professional Alto Saxophone features a 2-piece hydro-formed bell. The body, bell, and bow are annealed during production to make this...
Price: $2,895.01 Item Ships Free!
List Price: $4,436.00
Yamaha YAS-82ZB Professional Alto Saxophone Black
The YAS-82ZB Professional Alto Saxophone features a 2-piece hydro-formed bell. The body, bell, and bow are annealed during production to make this...
Price: $2,895.01 Item Ships Free!
List Price: $4,436.00
Buffet R13 Bb Professional Clarinet
Musician's Friend Clearance Center
Buffet R13 Bb Professional Clarinet
The Buffet R13 Bb Professional Clarinet is the legendary choice of professionals. Key of Bb. With .577" bore; 66mm barrel; premium-quality...
Price: $2,567.00 Item Ships Free!
List Price: $4,279.00
Buffet R13 Bb Professional Clarinet
The Buffet R13 Bb Professional Clarinet is the legendary choice of professionals. Key of Bb. With .577" bore; 66mm barrel; premium-quality...
Price: $2,567.00 Item Ships Free!
List Price: $4,279.00
Giardinelli GS812A Alto Saxophone
Musician's Friend Clearance Center
Giardinelli GS812A Alto Saxophone
The Giardinelli GS812A alto saxophone is a stunningly beautiful, professional-quality instrument, crafted in Europe to Giardinelli specifications....
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Giardinelli GS812A Alto Saxophone
The Giardinelli GS812A alto saxophone is a stunningly beautiful, professional-quality instrument, crafted in Europe to Giardinelli specifications....
Price: $1,572.79 Item Ships Free!
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